The vast expanse of childhood imagination, grief and intrusive nightmarish monsters abound in this utterly spellbinding production directed by Katy Rudd.
We follow the story of a man who when returning to his childhood home, finds himself standing beside the pond of the old Sussex farmhouse where he used to play.
He’s transported to his 12th birthday when his remarkable friend Lettie claimed it wasn’t a pond, but an ocean – a place where everything is possible. Plunged into a magical world, their survival depends on their ability to reckon with ancient forces that threaten to destroy everything around them.
This is a magnificent show, not for the young, but a must-see for anyone and everyone. Especially those who feel theatre has lost its magic in the commercial post-COVID world. There is little more inspiring that you could behold and every age group will find a different story and will be affected in different ways but the themes of growth, love and courage are supreme.
Keir Ogilvy (Boy) is teamed with Millie Hikasa (Lettie Hempstock) their energy and integrity as the young children is precious and utterly believable. The magic and mystery of the Hempstock family is captured with great style and Finty Williams (Old Mrs Hempstock) evokes the wisdom and journey of the elders with care.
Charlie Brooks (Ursula/Skarthach) is a joy as the evil lodger who has passed over and into the Boy’s world of grief and sadness. The nightmarish door routine is excellent, capturing many childhood nightmares.
Without spoilers, the design by Fly Davis is crafted in a way to morph at ease with an evocative lighting design by Paule Constable. The technical craft is visionary, the soundscape as vital as the performers whilst the illusions and magic (Jamie Harrison) ensures the wonder never ends. The puppetry (Finn Caldwell) is mesmerising and terrifying in equal measure.
This is a rare production where it seems complete. Each element is in perfect balance alongside an ensemble whose physical work (movement director Steven Hoggett) brings great force and energy to the piece.
Grab a ticket, be transported and inspired; it is an unforgettable experience.
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Reviewer: Petra Schofield