“For a close relationship that can last us through all the years of our life, no doll can take the place of aces back to back” asserts strutting gambler Sky Masterton.
One of the appeals of this perennially-loved musical is seeing how the guys are forced to re-evaluate this stance just in time for the (not-really-spoiler-alert) happy ending.
Bath Operatic and Dramatic Society’s new production is an attention-grabbing firecracker of a show.
We are transported back in time to a Technicolour chocolate-box New York which many times looks and sounds like a major MGM musical on stage, thanks to Will Burgher’s sumptuous lighting design, James Finbow’s seamless musical direction, the highly versatile set, and the kaleidoscope of colourful costumes.
Steve Blackmore’s direction is confident and focused, drawing out much well-timed humour.
From the very opening song with the assured vocals of George Miles, Pip Knowles and Matt Graham (as Nicely, Benny and Rusty respectively), we know we are in safe hands. Other excellent supporting performances include Dave Key-Pugh as a lisping effete Big Jule.
But this show will always depend on its four leads, and happily each one here is excellently cast, sharing an easy chemistry.
Finn Tickel brings both swagger and sensitivity to Sky, with superb old-Hollywood singing. Charlotte Hunter has stunning vocals, and makes the potentially stuffy Sarah warm and vulnerable.
Grant McCotter’s Nathan has the nervous energy of a cornered water rat, with sublime timing. And Jane Knowles as Adelaide is clearly having a ball in every scene, blending hilarious vocal touches with genuine moments of sweetness amidst the sass.
This is genuinely as professional and entertaining as many shows in London, and will leave you on a warm nostalgic high. Go see.
Guys and Dolls is showing at the Theatre Royal Bath until 13th May. Box office: 01225 448844.
_ _ _ _ _ _ _ _ _ _ _ _
Reviewer: Steve Huggins