The TRB panto is back in full force – Oh Yes It Is! This sparkling, witty and beautifully crafted show never lets up. The energy is fantastic and the all-round appeal is evident from the outset.
The cast of Sleeping Beauty at the Theatre Royal Bath | Photo © Freia Turland
Jon Monie, aside from starring as the glorious Lester the Jester, has once again created a cracking script, ensuring all ages are on board and allowing the adults the humour that the younger ones may miss.
Lester the Jester is, as ever, a winning character whom the audience immediately warms to following the much-anticipated appearance.
The entire cast is strong and vocals are excellent throughout. The tale of Sleeping Beauty, cursed at birth lives under the protective gaze of her father due to the fact she may die before reaching eighteen by pricking her finger on a spinning wheel.
All she needs is a fairy godmother and a prince to save her – if they can get there in time.
Neil McDermott is a fabulous prince, a little bit daft but totally committed to his quest. Maisie Sellwood as Princess Rose is a feisty and engaging leading lady who alongside Fairy Snowfall (Sarah Jane Buckley) foil the evil Carabosse (Emma Norman). Nick Wilton as Nanny Norma is as glorious as ever alongside the excellent Monie, it is hard to find a better pair in panto.
The babes from Dorothy Coleborn excel as ever, accompanied by the adult ensemble whose endless energy keeps the stage alive.
Sleeping Beauty is visually stunning, the lighting design by Nev Milsom is beautiful, capturing the atmosphere of every mood with ease.
Directed by Jill Williams the pace never falters and the jokes keep on landing with absolute precision. The band are under the watchful and well-balanced baton of Musical Director Joshua Newport and Sound Designer Nigel Bayliss.
There is so much to enjoy this year, as always it is a precious time to celebrate the festive season. But there seems to be a lovely undertone in the writing that allows moments of true feeling and sensitivity often overlooked.
This is a thoughtful and glittering production that should not be missed.
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Reviewer: Petra Schofield
