The Ustinov has provided an absolute treat for Jason Robert Brown fans, and for anyone who does not know this classic modern musical, you will soon be converted.

Photo © Alex Tabrizi
It is a One Act two-hander which is deftly supported by excellent actor-musicians in the most intimate and perfect space.
The story follows Cathy and Jamie, an actress and writer who embark on a whirlwind romance. The storytelling is innovative as we follow different narratives which emerge and collide over their lives together.
Martha Kirby as Cathy is flawless: soaring vocals alongside searing emotions. Kirby covers the score with ease and finds depth and loss in the darkness of the relationship. Her vulnerability and persistence in pursuit of her dream swings from humour to wilderness but she shows it in such a subtle way, the acting through song is sublime.
Guy Woolf as Jamie is the perfect foil to Kirby’s powerhouse. He is a successful, confident and aspiring writer who clearly is finding the climb to fame easily than Kathy. The story is about love and humanity.
Woolf allows Jamie to ride the highs of success and his personality is addicted to that which results in his emotional neglect of the woman he loves.
The two performances are flawless. They are supported by an onstage band of actor musicians: piano (Tim Jasper) Cello (Rebecca Demmer). Guitar (Wills Mercardo) and Bass Guitar (Angus Tikka.) They frequently adopt roles, perhaps having the most fun in the audition scenes but are utilised to great effect throughout.
Directed by Hal Chambers who makes full use of the excellent set design by Ethan Cheek which is both versatile and hugely effective to keep with the changing narrative. Beautifully lit by Jonathan Chan the Ustinov is transformed into both a place of emotional darkness and subsequent celebration.
This is, without question, a glorious production with the Barn Theatre, Cirencester and Theatre Royal Bath and deserves a great wider audience to reflect the changing face of both musical theatre and the integration of actor musicians. Running through to 5th January, do not miss it.
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Reviewer: Petra Schofield



