This new play from Sally Whyte premiered at The Rondo, prior to a regional tour.
It is an intriguing piece which examines grief, isolation and classical mythology in a lockdown garden.
Well directed by June Task, the small cast takes on the challenge of a twisting, turning tale of a widowed Mother, Dot, her teenage daughter and a lively sexually charged magical Faun.
Ellis J. Wells has a great quality as the magical Faun; from the best playtime friend through to a menacing, persuasive force.
The pairing with Ellen Schofield (Elfin Child) is hugely watchable and the chemistry is clear. Schofield is a magnetic presence, essentially angry and confused by the loss of a father figure whilst trying to find a way through the pandemic boredom. A charismatic performance which powers through the scenes with great energy and determination.
Stephanie Weston (Dot) is the lost mum. Her grief is evident and the chasm between her and her wayward daughter is both poignant and painful.
Dot is equally attracted to the Faun and loses herself in an imagined world where multiple versions of famous Dorothys are presented, matching her daughter’s escape into the world of Greek Mythology.
Georgie Dixon multi roles with ease and brings some fine humour into the piece. Although difficult, without giving away spoilers, Dixon brings a well-considered detail into her main role and fits seamlessly into the main trio.
The piece is touring regionally and provides much food for thought.
It is a challenge and deals with adult themes in an unusual and fascinating setting. Running at an hour, it is a roller-coaster which will generate much discussion amongst the audience. But definitely worth a watch to support a fascinating piece of new writing.
All ticket and venue information is online at www.dotdotdot-theatre.co.uk.
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Reviewer: Luke Jones
